Uma publicação compartilhada por Sleep No More em 1 de Ago, 2019 às 1:39 PDT No spoilers, but if you want to continue not knowing what to expect, I suggest jumping to the last paragraph.ĭoes remedy linger in the night? #sleepnomorenyc #mckittrickhotel After we identified, we received a deck of cards each and heard “Good luck!”.Īfter that, I’ll tell you a bit about how everything works and my impressions. When you make the purchase, your name goes to the hotel list. There are no physical or digital tickets for Sleep No More.
Upon entering, I had to leave my bag in the luggage check – it is not optional, you can not get in with bags and backpacks – and the fee is $4. No one under the age of 18 is permitted unless accompanied by a parent or legal guardian (children under 13 are not admitted). It took about 10 minutes before we got in, and while we waited, a security man checked everyone’s ID. We arrived at The McKittrick Hotel, in Chelsea, at 7 pm sharp, and we saw a long line. You can not follow everything, that is, each experience will be unique. Each actor tells their own story, with other actors telling stories interconnected simultaneously in other rooms and other floors.
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You are free to walk independently and follow the cast members as you wish.
In 2011, Emursive and Punchdrunk, two theater companies, came together to produce Sleep No More, which was probably the most original theatrical experience in New York history. Well, if you are reading this post and you do not even know what Sleep No More is about, let’s get a brief explanation.
And my friends told me: do not try to stay with your husband, stay apart. I also knew that the public needed to wear masks during the performance and that it was necessary to wear comfortable clothes and shoes as well. Another fact that I knew is that it was an immersive experience and, by immersion, what I knew was that you have to follow the cast members. I also knew that everything is set at The McKittrick Hotel, a building featuring a lot of warehouses. I knew it was a play inspired by Shakespeare’s Macbeth. I think that the great thing about Sleep No More is that you don’t know exactly what to expect. And here I am to talk about this experience that is really great. Finally, a few weeks ago, I took some time, researched dates, and bought the tickets for Thiago and me. It’s kind of a thing that happens to a lot of people who live here – I have plenty of time to go (but I never go). I’ve read the reviews, listened to opinions, but I never had bought tickets to. Whether they all add up seems beside the point Sleep No More didn’t make its mark on compelling characters but an all-encompassing design and a full-throttle commitment to enthralling audiences.Since I moved to New York, I’ve been hearing about Sleep No More. The plots are elusive but heightened and engaging: follow a vengeful murder, a lusty ball, an intoxicating rave.
The play moves in tidal currents: scenes breathe and fade, and audiences chase figures they find compelling, leading to a thrush of anxious attendees clutching one another as they chase durable characters and flimsy plots. That ease of losing yourself and others may feel welcome.
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Dress as you see fit it doesn’t quite matter what you wear before stepping into the space - audiences don masks (both the N95 and the masquerade kind) for increased anonymity - and the lights are so subdued that, even if you wish to tag along with your theatergoing plus one, you may quickly lose them in the incentive and labyrinthine set. The concept is 1920s hunted hotel: speakeasy bar, vested men, and glorious taxidermy. Keeping to this tragic play’s narrative seems secondary experience is key here, and the production packs it in. The cast of a dozen strong invites multiple trajectories: a murderer hungry for power (Macbeth), his wife who licks and cleans his bloody wounds (Lady M), and some carnal figures who initiate a strobe light-infused rave (the three witches, I assume).
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